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What Makes a Successful Edinburgh Fringe Show?

  • Writer: What the Fringe?!
    What the Fringe?!
  • Nov 21
  • 3 min read

S2 E9 of What the Fringe?!


Sam Gough, Chief Executive of Summerhall Arts, and long-time Edinburgh Fringe Producer
Sam Gough, Chief Executive of Summerhall Arts

Every August, thousands of artists descend on Edinburgh with a dream tucked under their arm: to make something bold, beautiful, and unforgettable. But with hundreds of venues, thousands of shows, and a city that becomes its own ecosystem, what actually makes a Fringe show successful?


According to longtime Fringe producer, arts advocate, and current Chief Executive of Summerhall Arts, Sam Gough, the recipe isn’t magic; it’s intention, alignment, and a deep respect for the messy, creative heart of the festival.






Start with Artistry: Bring Something Real and Be Kind


The best Fringe work is rooted in lived experience and fresh ideas, not recycled plots dressed up in “quirky hats.” A successful show isn’t necessarily polished or traditional, but the artists should follow these two guidelines:

  1. Don’t bring a terrible show. Artists who lead with experimentation rather than imitation are the ones who stand out. Audiences at the Fringe are willing to pony up £12 and sit in a black box at 10:15 a.m. for something weird and wonderful, as long as it’s honest and well-crafted. It doesn’t need to be perfect; it just needs to be alive.

  2. Don’t be a jerk. The old do unto others motto reigns true. Be easy to work with, and be kind and courteous to fellow performers, patrons, and media.

 

Know Why You’re Coming to Edinburgh Fringe


Artists come to the Fringe for all sorts of reasons:

  • Industry exposure

  • Reviews

  • Networking

  • To grow a show

  • To workshop and idea

  • To develop a thicker skin

  • To decide whether they truly love or deeply resent their creative practice

But the artists who thrive are the ones who know their primary objective before they step foot in Edinburgh.


When the “why” is clear, everything else falls into place: venue selection, time of day, PR strategy, even how you spend (or save) your energy. Without a clear why, the Fringe can feel like a tornado instead of an opportunity.


Choose the Right Venue, not the Biggest


A common misconception is that prestige equals success. But venues at the Fringe are ecosystems with their own audience types and artistic identities.


A stand-up show wedged into a corridor of contemporary dance? Probably doomed. A trauma-informed solo show housed between two chaotic late-night comedies? Also doomed.


Artists who succeed choose venues whose audiences match their artistic DNA.

And bigger isn’t better. In fact, a small room that sells out every day builds momentum, confidence, and, most importantly, those coveted sellout laurels that travel with the show long after August ends.


Think Differently About Time Slots


Many artists assume their work needs a prime evening slot. Not true. Some of the most successful shows, ones that toured internationally for years, premiered at 10 a.m. Why? Because the industry is awake, sober, and paying attention. If the show’s goal is visibility, morning may be your golden hour.


Build Genuine Relationships


The Fringe doesn’t have to be a machine; it can become a beautiful community.


Take the time to build relationships with all the incredible people at the fringe, not just other artists, but audience, programmers, producers, and yes, even press. And be sure to build a good relationship with your venue, because a good venue won’t just house a show; it will champion it.


At the fringe, word travels fast, and a successful Fringe experience grows out of good relationships.   


Stay Rooted in Curiosity


For all its commercial pressure these days, the Fringe was built on experimentation. On the bravery of small, strange, intimate ideas. On the stubborn belief that storytelling can happen anywhere: on a park bench, in a bathroom, or in a makeshift theatre behind a pub. The artists who succeed today are the ones who honor that spirit. They take risks and make something so specific and genuine it becomes universal.


And in a world overflowing with recycled content, that kind of courage is exactly what audiences are hungry for.


Summerhall Arts is now accepting applications for the 2026 Edinburgh Fringe Festival. Visit EventOtron to apply.


This blog post was inspired by S2 E9 of the What the Fringe?! podcast, and was written utilizing AI technology, in conjunction with human oversight and editing.  

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