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For fringe artists, producing a solo show Off-Broadway can feel like a big leap, even though much of the work looks familiar. What changes is the context: New York City and the expectations that come with an Off-Broadway venue.

Accessibility in fringe theatre is not just a matter of compliance—it is a commitment to inclusion. New tools like SlideTeller help ensure that the full experience of a performance is available to all, regardless of how someone receives it.

For many Fringe artists, the focus is on script, staging, and performance. But there is another tool that can elevate your show and surprise your audience: sound. Foley artistry, the live creation of sound effects using everyday objects, can transform a performance, adding dimension and energy in ways that lighting or props alone cannot achieve.

“The best work is being done on Fringe stages. You can’t get more inventive, you can’t get more raw, and it’s everything that pushes my theatrical buttons,” Britt Lafied, SoHo Playhouse Managing Director.

Bringing a show to the Edinburgh Fringe Festival is not just about showcasing creativity; it also involves detailed planning and teamwork. For independent artists used to managing everything themselves, Edinburgh can feel quite challenging.

Fringe performer Steve Budd has become known for his multi-character solo shows. His process enables him to create stories with strong narratives and grounded characters.

S2 E9 of What the Fringe?! Sam Gough, Chief Executive of Summerhall Arts Every August, thousands of artists descend on Edinburgh with a dream tucked under their arm: to make something bold, beautiful, and unforgettable. But with hundreds of venues, thousands of shows, and a city that becomes its own ecosystem, what actually  makes a Fringe show successful? According to longtime Fringe producer, arts advocate, and current Chief Executive of Summerhall Arts, Sam Gough, the rec

Fringe festivals thrive on bold creativity, but behind every sold-out show and glowing review is something less visible yet equally vital: community. For solo performer and producer Joanna Rannelli, the sense of belonging and mutual support found at fringe festivals has been the difference between simply putting on a show and building a sustainable artistic career.

Martin Dockery: A case study in what it takes to thrive in a niche where fame is fleeting, money is modest, but creative autonomy is absolute.

How collaboration improves any fringe show: a case study of Denver Aerial Dance Collective.

EXPOSED invites storytellers to share experiences that are often hidden away—trauma, grief, identity struggles, and moments of deep transformation. The goal is not sensationalism but authenticity.

Tips for Clowning: A Clown's first goal is to be loved.