the blog

The Edinburgh Fringe Festival has long been known as a launching pad for bold and boundary-pushing theater. For Xhloe Rice and Natasha Rowland, a New York–based duo creating absurdist clown physical theater, the journey to Fringe began with little more than a duffel bag of props and a desire to share their work with a wider audience. What they discovered in Edinburgh not only transformed their careers but also reshaped their understanding of what success at Fringe really mean

The arts have the power to transform not just individuals, but entire communities. This belief is at the heart of PUSH Physical Theatre’s work, as co-founder Darren Stevenson has experienced over decades of creating and performing. Darren's story illustrates how the arts can bridge divides, spark empathy, and foster collective well-being.

For fringe artists, producing a solo show Off-Broadway can feel like a big leap, even though much of the work looks familiar. What changes is the context: New York City and the expectations that come with an Off-Broadway venue.