The Edinburgh Fringe Festival has long been known as a launching pad for bold and boundary-pushing theater. For Xhloe Rice and Natasha Rowland, a New York–based duo creating absurdist clown physical theater, the journey to Fringe began with little more than a duffel bag of props and a desire to share their work with a wider audience. What they discovered in Edinburgh not only transformed their careers but also reshaped their understanding of what success at Fringe really mean